There’s a con at play, this beguiling sense that everything isn’t exactly what it seems. It dances with the allure of the carnival, but never shies away from the ruse. You’re constantly left with the sense that you’re on the…
Don’t Worry, He Won’t Get Far on Foot Review: A Mediocre Work of Astounding Ableism
There comes a point during director Gus Van Sant’s Don’t Worry, He Won’t Get Far on Foot where main character John Callahan (Joaquin Phoenix) attends an AA meeting and brings up his disability. It’s a fact of his life that…
Movie Review: Una
Adaptations from the stage to the screen are always tricky. No matter how solid a screenplay can be and while the use of film offers more ways to present its subjects, some elements in a play have trouble being translated…
Movie Review: The Secret Scripture
Buried far, far beneath the empty hubris and soapy melodrama of the thin plot in Jim Sheridan’s The Secret Scripture, there’s a fascinating film about women’s rights in 1920’s Ireland or, better said, the lack there of. Instead, the film pointedly goes…
Movie Review: A Ghost Story
David Lowery’s A Ghost Story before the Sundance Film Festival even began puts A24 in a tight position because while this avant-garde poltergeist drama certainly fits their pedigree, it’s going to have a very difficult time finding an audience. It’s…
SXSW Review: ‘Song to Song’ Comes Off As One Note
Terrence Malick is not known for playing it safe. His avant-garde style has been a dichotomizing force among film critics for over a decade. He marches to the beat of his own drum, but recently that beat has been repetitive…
Sundance 2017 Review: A Ghost Story
To read more coverage of the 2017 Sundance Film Festival, go here Man, it must be a nightmare to work at the A24 marketing department right now. The heavyweight indie studio purchased David Lowery’s A Ghost Story before the Sundance…