Album Review: Dropkick Murphys — ‘Turn Up That Dial’

Turn Up That Dial is their tenth studio album, and the Dropkick Murphys have kept all of their gusto along the way.

Album Review: The Fratellis – ‘Half Drunk Under a Full Moon’

The Fratellis have entered that awkward career midpoint for bands, where the tension between doing what comes easy to them and trying to expand their musical palette causes inevitable problems. In The Fratellis’ case, what comes easy to them is…

‘G_d’s Pee AT STATE’S END!’ review: Godspeed return with a daunting but worthwhile challenge about life’s progression

The goal of Godspeed You! Black Emperor has always been the same: they’re not here for your happiness, they’re here for your enlightenment. Since their ominous and apocalyptic debut, F# A# ∞ (1997), the band has spent the last twenty-five…

‘Green to Gold’ review: The Antlers return with luscious, dreamy, introspective folk-pop

It’s always funny to me how easy it is to draw parallels between two completely unrelated things or events. In the case of the Antlers and their newest endeavor, Green to Gold, it’s very reminiscent of the last Beach Fossils…

‘Flowers for Vases / Descansos’ review: Hayley Williams rides on the coattails of female indie stars

Over the past fifteen-or-so years, Hayley Williams has expressed an ability to push forward, be creative, and forge her own identity among the other members of Paramore. The group’s first few releases erupted, making them likely the most popular female-lead…

‘You’re Welcome’ album review: A Day to Remember perpetuate pop-punk’s mediocre status quo

Let’s be honest… the fate of the pop-punk community that once thrived twenty years ago doesn’t seem bright. The last few releases from legendary, genre-defining bands like Green Day and Blink182 have done nothing but disappoint—both in an effort to…

‘As the Love Continues’ review: Mogwai’s vast experience is put to poor use

Like many other post-rock groups in 2021, Mogwai are in a weird place. The first leg of their illustrious career was full of brand new territory—helping define a genre and expand instrumental possibilities with albums like Young Team (1997), Rock…