How do you define emo, and what does that genre label even mean?
‘Flowers for Vases / Descansos’ review: Hayley Williams rides on the coattails of female indie stars
Over the past fifteen-or-so years, Hayley Williams has expressed an ability to push forward, be creative, and forge her own identity among the other members of Paramore. The group’s first few releases erupted, making them likely the most popular female-lead…
Concert Review: Paramore/Foster the People – Columbia, MD, 6/23/18
When I walked into Merriweather Post Pavilion to see Soccer Mommy, Foster the People, and Paramore, the first thing I noticed was how colorful everyone looked. Many were wearing clothing with bright hues and patterns; several people also had glitter…
The Young Folks’ Top 50 Albums of 2017
For the second year in a row, The Young Folks music staff has compiled a list of our Top 50 favorite albums of the year. For the 2017 installment we have expanded the list to include all 16 active music…
TYF’s Top Albums of 2017 (so far)
In its first six months, 2017 has seen its share of great music across all genres. For the first time, The Young Folks’ music staff has put together a site consensus list of our favorite albums at the mid-point of a…
From the Record Crate: Paramore – “Riot!” (2007)
You couldn’t get too far in the mid-2000s without experiencing the dulcet tones of emo pop. Characterized by catchy, hook-filled choruses and a special sort of angst, the rise of emo pop put popular male-dominated acts like Fall Out Boy,…
Album Review: Paramore – “After Laughter”
Paramore is dead, long live Paramore! The former Warped Tour mavens are not the same band that made “Misery Business” nearly a decade ago. They’ve gone through personal drama, lineup changes, nuptials, and the fact that the punk-pop/emo genre they…