King Gizzard’s musical approach has garnered much praise and many fans throughout the past decade. Releasing a whopping eighteen studio albums since 2012, the group is never done creating and experimenting, resulting in an endless discography worthy of thirty years…
‘Summer of Soul’ review: Questlove’s debut doc is a groovy ride and a loud reminder of Black history erasure
“Nobody ever heard of the Harlem Cultural Festival. Nobody would believe it happened.” – Summer of Soul (…Or, When the Revolution Could Not Be Televised). Do you want to know what the funny thing is? Woodstock happened in the summer…
Album review: Grey Fields Drop Lucent ‘Vesna’
Simultaneously translucent and alluring, Vesna bestows graceful successions of opulent, yet moody prog-rock capped by pensive vocals.
‘Nowhere Generation’ review: Rise Against revive their era of rock, the right way
Few punk rock bands have stood the test of time and aged gracefully, but the struggle to maintain relevant and creative almost comes with the gig itself. Initially, they identify with their disenfranchised peers, but as their generation ages, members…
Zayde Wølf Interview: Dustin Burnett on songwriting and his latest album, ‘Neon Blood Type’
Dustin Burnett went from playing in a rock band to sitting in a producer’s chair. In 2015, he took the jump again, accidentally creating his very own solo project under the moniker Zayde Wølf. From that moment, this solo project…
‘Cavalcade’ review: Black Midi create a hellscape that’s eerily familiar
Rather than place their fingers on the pulse of rock music, Black Midi have decided to grab some defibrillators, and shock the living hell out of it. Since their first bout of singles leading up to 2019’s Schlagenheim, the UK-based…
Interview: Talking with Tacboy about new music video – “Sober”
The Young Folks caught up with Tacboy to ply him with questions about “Sober’s” inspiration, how he got into music, and what’s next for the ET Boys.