With all of the delicacy of a meat cleaver, the latest film from Edgar Wright is an erroneously clumsy take on female empowerment. A direct homage to the Italian Giallo movement of the ’60s and ’70s with its technicolor spotlights,…
‘Halloween Kills’ review: A murky, unnecessary slaughterfest
The real villain in ‘Halloween Kills’ isn’t Michael Myers; it’s a lack of common sense.
‘The French Dispatch’ review: Wes Anderson’s soulful tribute to writing will make you want to subscribe
If you ask Wes Anderson which of the four main narratives in his fanciful-as-ever twee dollhouse of a faux-anthology, The French Dispatch, will be most beloved by audiences, he might outright reject the premise and denounce the existence of a…
‘Fauci’ review: A noble attempt to add context to a hero
‘Fauci,’ National Geographic’s effort to tell the polarizing doctor’s story for a general audience, is a new documentary available to stream on Disney+.
‘Dune’ review: This renaissance fair for sci-fi nerds is a bit too by-the-book
For all its globe-trotting spectacle, the true story in ‘Dune’ from director Denis Villeneuve never really gets off the ground. And that’s clearly the point.
‘Venom: Let There Be Carnage’ review: A funky, junky course correction
The best thing about Venom: Let There Be Carnage is that Marvel-Cinematic-Universe-meg-producer Kevin Feige never would’ve allowed it to happen. Feige, the sovereign of superhero sameness, has made a career out of reforming the type of movie that this latest…
‘No Time to Die’ review: Daniel Craig’s final Bond mission stirs in the best and worst of the series
‘No Time to Die’ is the 25th James Bond film and the fifth and final of the series starring Daniel Craig, combining the best and worst of the franchise.