‘Mank’ review: David Fincher’s passion project drowns in booze and backstory

Watching a David Fincher movie is like looking at the inside of a beautiful clock: it looks so simple and beautiful on the outside, but seeing all the moving gears and machinery on the inside is intimidating. The director has…

‘Lovers Rock’ review: This immersive, slice of 80s nightlife is a truly great hang

Sometimes the most beautiful films can spring from even the simplest ideas. In Lovers Rock, a new film in the “Small Axe” miniseries collection directed and co-written by Steve McQueen, we’re taken on an extended, cinematic ride through a single…

‘Hillbilly Elegy’ review: Ron Howard’s latest is condescending and cartoonish

Ron Howard has a curious relationship with Americana throughout his career. Though born in Oklahoma, Howard started in show business when he was still in diapers. He’s been seen in two distinct visions American life (The Andy Griffith Show and…

‘David Byrne’s American Utopia’ review: Art rock legend reaches out by looking back

“Introducing the all new 2020 David Byrne human being! A timeless classic is back in style, now sleeker and more accessible than ever before. The Byrne returns with its classic mobility, quirky observations, pretentious cultural knowledge and signature yodel. The…

‘On the Rocks’ review : Sofia Coppola’s latest is beautifully made but unfortunately vacant

Sofia Coppola has made a career of finding the poignant in daily minutia and intricate beauties in the sublime. Hers is an eye that gravitates to pastel colors, touch-starved intimacies, ornate decadence, serpentine lines and quiet heartache. It’s always been…

‘Evil Eye’ Movie review: Blumhouse’s newest film has wasted potential

On paper, Rajeev and Elan Dassani’s film, Evil Eye, has a fascinating premise. Featured in Amazon Prime’s Welcome to the Blumhouse series, Evil Eye features an almost entirely South Asian cast and a plot that teams up a mother and…

‘Hubie Halloween’ review: Adam Sandler brings trademark boredom to Halloween

In 2014, Adam Sandler and his Happy Madison Productions signed a $250 million deal with Netflix to produce four new movies. Since that deal, Sandler and his team have dumped multiple movies onto the streaming juggernaut that have done good…