Natalia Dyer exchanges 80’s spandex for an early 2000’s Catholic school uniform in Karen Maine’s Yes, God, Yes. Maine previously co-wrote Obvious Child, a comedic character study about a childish adult finally having to grow up. While not necessarily as…
Album Review: The Chicks – “Gaslighter”
One of the (very) few good things that has come in 2020 is the return of the newly renamed The Chicks, the bestselling female band and bestselling country group of all time. Formed in 1989 in Dallas, Texas, The Chicks…
The best moments of Hamilton on Disney Plus
By now, most of us have at least three Hamilton songs stuck in our heads. We don’t blame you. It’s inevitable. The pop culture phenomenon Hamilton has once again taken center stage this summer. Since Disney+ introduced a more accessible way to view this…
The Rental Movie Review: Dave Franco delivers a decent enough horror thriller
The Rental, Dave Franco’s directorial debut, offers some entertaining horror value in certain respects, but suffers from a lack of meaningful and interesting characters to round out the horror scenario. It’s cast is pretty great: Charlie (Dan Stevens) and Michelle…
Archive Movie Review: A Slick Character-Driven Sci-Fi Film
Archive, written and directed by Gavin Rothery, takes on the moral quandrys of how far we’re willing to go for loved ones, even after they’ve passed on. In the year 2038, robots are a fixture in society, serving in households…
The King of Staten Island Review: Judd Apatow drags out Pete Davidson’s leading man debut
The opening scene of The King of Staten Island is not only the highlight of Judd Apatow’s latest act of indulgence, but also hints at something that the rest of the film never lives up to. It tracks Pete Davidson’s…
Album Review: Lady Gaga – “Chromatica”
For those still feeling the gloom of the world’s current climate, late-90s dance pop is a great place to mine some escapism. With the grunge movement over with and the millennium on the horizon, people wanted to party and the…