Hong Sang-soo is one of South Korea’s most prolific filmmakers, but his body of work is comprised of titles not as widely known to international film audiences. His films exist on the fringes of an industry in South Korea which…
VIFF 2017: “A Yangtze Landscape”, “Claire’s Camera”, & “Maison du bonheur”
To read previous VIFF coverage, click here. Among the numerous delights of attending festivals is catching an early screening of a film already steeped in praise (whether hailing from Sundance, Cannes, Toronto or Venice). As I discovered with last year’s…