Chance the Rapper lives as an anomaly within the context of today’s music industry. He’s a 27-year-old independent artist with three projects under his belt, three Grammy’s, and loads of critical and commercial success. His eccentricity redefined the way mainstream…
Tiny Changes: A Celebration of Frightened Rabbit’s ‘The Midnight Organ Fight’ – Remembering an immense talent
Great pain does not beget great art; trauma won’t always lead to inspiration, nor internal conflict to expression. These notions that to be an artist of notice and worth you must suffer is tired, prone to suggesting self-destruction to those…
From the Record Crate: The Postal Service – “Give Up” (2003)
Some bands are around for decades, creating more albums than you expect and touring for years. Others are a flash in the pan that make an impression felt for years to come. Electronic musician Jimmy Tamborello and Death Cab for…
Album Review: Benjamin Gibbard – “Bandwagonesque”
Covering an album in its entirety is a daunting task, and one that sometimes comes with little reward. For instance, releases like Ben Lee’s version of Against Me!’s New Wave seemed like a bit of a novelty: It felt like a…
Album Review: The Monkees – “Good Times!”
The story of The Monkees has become so ingrained in the history of rock & roll that it needs little repetition. The short of it: A band formed for a television sitcom rebels against its svengali to become a real…
Album Review: Death Cab for Cutie – “Kintsugi”
Despite being one of the most successful acts to come out of the early 2000s “indie” boom, Death Cab for Cutie hasn’t been as critically revered as their peers. Perhaps it’s because of their emo tendencies, or dismissals that Ben…
Music Review: “Former Lives” by Ben Gibbard
One can assume that music lovers have all, at the very least, heard of Ben Gibbard. If not, it’s never too late to learn something new! Ben is best known as the lead singer of indie acts Death…
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