It would be a fool’s errand to try to tell Steven Soderbergh, director and writer…
Review
‘The Tomorrow War’ review: Cheesy sci-fi action from just the right era
Throughout this pandemic, I haven’t focused nearly as much on finding and watching the best…
‘Loki’ 1×04 review: “The Nexus Event” captures Loki(s) loneliness, but there’s no further exploration of his queerness
Loki episode four “The Nexus Event” finally pays off the character development of the first…
‘Zola’ review: A Twitter sensation turns into a big-screen movie sensation
In 2015, Aziah “Zola” King’s 148-tweet epic took the internet by storm. The viral thread…
‘Inside’ review: Mother Mother miss the mark
Among the slew of albums coming out around the pandemic, Mother Mother’s eighth studio album…
Brothers Bright Interview: Nicholas Kirk on songwriting, “Blood on my Name,” and most recent projects
Nicholas Kirk is an emmy-nominated songwriter, producer and composer—he owns and operates Whitestone Motion Pictures…
Album review: Grey Fields Drop Lucent ‘Vesna’
Simultaneously translucent and alluring, Vesna bestows graceful successions of opulent, yet moody prog-rock capped by pensive vocals.
