Meg Remy of U.S. Girls probably couldn’t have had a better release date for her…
Album Review: A Boogie wit da Hoodie’s “Artist 2.0” has little new to offer fans.
A Boogie wit da Hoodie festers in a monotonous alternate universe where his “uniqueness” is…
Album Review: Flora Cash excel at calming electro-pop on “Baby, It’s Okay”
Flora Cash is the soothing Swedish-American duo made famous from the 2017 rock radio hit…
Album Review: Stephen Malkmus takes on the unconventional indie-folk with “Traditional Techniques”
It seems like there is no genre Stephen Malkmus can’t conquer. Unlike the Berlin synth-pop…
Album Review: Body Count disappoint on “Carnivore”
Ice-T’s rap-metal outfit is most famous for 1992’s “Cop Killer”, from their debut album, which…
Album Review: James Taylor tackles the Great American Songbook on “American Standard”
My late grandmother connected with James Taylor on a very spiritual level. My mom and…
Album Review: The Secret Sisters prepare a warm, intelligent set of songs for “Saturn Return”
The Secret Sisters’ fourth album, Saturn Return, allows Laura Rogers and Lydia Slagle to display their…
