In a world where studio blockbusters bend over backwards to try and craft cinematic universes,…
Why you should be listening to Brett Goldstein’s podcast ‘Film’s to be Buried With’
Calling all film lovers who, like me, have recently not had enough time to invest…
‘Bodies Bodies Bodies’ review: A new generation of slasher
The culmination of Gen Z and the digital age comes together in A24’s newest slasher…
‘Emily the Criminal’ review: A smart and tightly woven crime thriller starring Aubrey Plaza
In Emily the Criminal, first-time writer/director John Patton Ford makes simultaneously crafting a tense thriller…
‘Summering’ review: A half-baked and muddled misfire for James Ponsoldt
Promising on paper, Summering is a frustrating film on almost every level. I went in with high…
‘Inu-Oh’ review: Masaaki Yuasa delivers a dizzying, animated, rock-opera
With infectious animation and visual vibrancy, Masaaki Yuasa once again proves himself a master of…
‘Prey’ review : Expect the unexpected
The Predator franchise may not have as large a following as other sci-fi sagas out…
