Director Ryusuke Hamaguchi’s greatest strength (among many) as a filmmaker is his ability to imbue…
‘House of Gucci’ review: A flamboyant satire about a depraved dynasty
Perhaps what’s most impressive—or, at least, most surprising—about House of Gucci is how it’s able…
‘Tick, Tick…Boom!’ review: Not as uplifting a tune as you may think
Maybe it’s an unpopular opinion, but Tick Tick…Boom! isn’t a blast. From the official trailer,…
‘Ghostbusters: Afterlife’ review: A return to what makes bustin’ ghosts so fun
If someone were to probe into my history with the Ghostbusters franchise, they wouldn’t have…
‘The Guilty’ review: Jake Gyllenhal’s sit-down thriller isn’t worth staying on the line for
Netflix’s latest crime-thriller, The Guilty, has that name for a reason. Guilt consumes Jake Gyllenhaal’s…
‘Love Hard’ review: An amusing, catfishing disaster that is somehow endearing
From December 1 to December 25, people all over prep for the holidays by watching…
‘Spencer’ review: Kristen Stewart shines in Pablo Larraín’s latest, dark drama
In the dizzying and beguiling Spencer from director Pablo Larraín, there’s a running commentary on…
