I have yet to find a Sandra Bullock movie I do not like. From The…
‘Licorice Pizza’ review: Paul Thomas Anderson serves up a fresh, taboo slice of Old Hollywood
Ah, Paul Thomas Anderson. Is there anything he can’t do? Well, yes actually, he apparently…
‘Mixtape’ review: A heartwarming story about connecting with the past
Netflix’s Mixtape is a surprisingly wholesome tween movie. Set in 1999, 12-year-old Beverly Moody (Gemma…
‘Belfast’ review: Kenneth Branagh’s musings on home struggle to connect the past and the present
Belfast is a new semi-autobiographical film from director Kenneth Branagh, chronicling a young boy’s life…
‘A Boy Called Christmas’ review: A well-told reimagination of the Christmas story
The setting of A Boy Called Christmas looks like an attractive picture book. The British…
C’mon C’mon review: One of Joaquin Phoenix’s strongest, quietest performances yet
In this post-Trump pandemic era, one of the groups suffering the most has certainly been…
‘The Humans’ review: Spending time with family is finally an A24 horror movie
In The Humans, Tony-winning playwright Stephen Karam’s directorial debut based on his own distinguished stage…
