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‘Don’t Worry Darling’ review: A frustratingly empty sophomore effort from director Olivia Wilde

With its vibrancy, immaculate costuming, and handsome set design, Olivia Wilde’s sophomoric directorial effort is…

Christian Tafdrup Interview: ‘Speak No Evil’ director talks about creating his first horror film

When it premiered at this year’s Sundance Film Festival, director Christian Tafdrup was nervous that…

MEDUSA. Courtesy of Music Box Films.
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‘Medusa’ review: Anita Rocha da Silveira highlights repressed rage in stylish, vibrant film

At one point in Anita Rocha da Silveira’s Medusa, a girl mentions that women whose names…

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‘Orphan: First Kill’ review: A clever and satisfactory prequel to a divisive horror film

In the entertainment industry, sequels and prequels are typically conceived to continue the hype of…

Masaaki Yuasa Interview: ‘Inu-Oh’ filmmaker discusses the draw to the story and utilizing music in animation

Masaaki Yuasa is one of the best directors working in animation today. With his energized…

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‘The Territory’ review: A fascinating exploration of the people at the frontlines in the fight for the future of the Amazon rainforest

By the end of 2021, the Brazilian Amazon rainforest experienced its highest rate of deforestation…

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‘The Legend of Molly Johnson’ review: Leah Purcell delivers a captivating performance in revisionist Western

Leah Purcell is the writer, director, and star of The Legend of Molly Johnson, playing a…