5 – The Driver (1978)
Le Samouraï (1967)
Despite its remarkable aesthetic differences, The Driver is indeed a remake to Jean-Pierre Melville’s Le Samouraï (1967). The Driver is Los Angeles’ answer to Melville’s Parisian noir—replace the quiet hit man with a quiet getaway driver, the songstress with a card gambler and the two movies are virtually identical.
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