Birds of Prey Review: Margot Robbie Sinks Her Claws Into a Stylistic, Feminist Romp

Despite its (severe) shortcomings, the DCEU has always had one thing over Marvel: They seem…

Olympic Dreams Movie Review: No finish line in sight

Former Olympian Alexi Pappas has all the makings of a great actress, if only someone…

Bojack Horseman Review: A melancholy and fitting end

“Life’s a bitch and then you die, right?” Sometimes our endings aren’t endings. Instead, as…

The Good Place Series Finale Review : Saying goodbye made sweeter due to lessons learned and love gained

For all its abundance of wonderment, larger than life set pieces and reboots that left…

Herself Review: Clare Dunne unlocks the power of the human spirit in Phyllida Lloyd’s remarkable return to the big screen | Sundance 2020

Sometimes, you can just tell that the leading actor of a film was deeply involved…

The Rhythm Section Movie Review: Blake Lively bores in Bourne knockoff

This one did itself in barely halfway through its runtime. Cantankerous hermit Jude Law dares…

Sylvie’s Love Review: Tessa Thompson and Nnamdi Asomugha lay on the charm in this extraordinary classical romance | Sundance 2020

The most obvious takeaway from the first beat of Sylvie’s Love—a lavishly directed new period romance…