Once the proud pillar of American cinematic masculinity, nowadays Clint Eastwood is the Hollywood embodiment…
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Capernaum Movie Review: A flawed but essential portrait of childhood poverty
Capernaum is about two hours of near unrelenting bleakness, but it’s the kind of bleakness…
The Quake Movie Review: Norway’s New Disaster Film Barely Registers on the Richter Scale
In 2015, Roar Uthaug The Wave made waves—pun not intended—as the self-proclaimed first ever Scandinavian…
Tyrel Movie Review: A genre bending examination of bro culture
The precise genre categorization of Sebastián Silva’s Tyrel is difficult to pin down in concrete…
Movie Review: Vox Lux is a Soulless Character Study
The “rags to riches” story is one that has been done more times than we…
The Party’s Just Beginning Movie Review: Karen Gillan makes a promising directorial debut
Actress Karen Gillan has established herself in numerous genres. Between her work on Doctor Who,…
Interview/Concert Photos: The Struts
Everybody Wants The Struts, reads the cover of the British rockers’ debut album. It’s not that…