The Mule Movie Review: Clint Eastwood Stumbles Again

Once the proud pillar of American cinematic masculinity, nowadays Clint Eastwood is the Hollywood embodiment…

Capernaum Movie Review: A flawed but essential portrait of childhood poverty

Capernaum is about two hours of near unrelenting bleakness, but it’s the kind of bleakness…

The Quake Movie Review: Norway’s New Disaster Film Barely Registers on the Richter Scale

In 2015, Roar Uthaug The Wave made waves—pun not intended—as the self-proclaimed first ever Scandinavian…

Tyrel Movie Review: A genre bending examination of bro culture

The precise genre categorization of Sebastián Silva’s Tyrel is difficult to pin down in concrete…

Movie Review: Vox Lux is a Soulless Character Study

The “rags to riches” story is one that has been done more times than we…

The Party’s Just Beginning Movie Review: Karen Gillan makes a promising directorial debut

Actress Karen Gillan has established herself in numerous genres. Between her work on Doctor Who,…

Interview/Concert Photos: The Struts

Everybody Wants The Struts, reads the cover of the British rockers’ debut album. It’s not that…