It’s been 17 years since Alex Turner told the world “don’t believe the hype” on his band’s breakout single. Cocky as it was, dismissing the traps of the indie rock boom of the early 2000s, it’s actually harder to heed…
‘Only Built For Infinity Links’ review: Quavo and Takeoff can’t freshen the Migos formula
“I ain’t left off ‘Bad and Boujee,’ you think I’m left off ‘Bad and Boujee.” Dated meme aside, Takeoff not having a line in Migos’s biggest hit is the best thing that could’ve happened to the group. Not because he…
‘The Gray Man’ review: Netflix’s blockbuster thriller banks on names and goes bust
Being behind two of the highest-grossing movies of all time must bring a lot of pressure with every new project you do. Those two movies will always be tied to your name, popping up in every trailer for your next…
‘Top Gun: Maverick’ review: An action-packed vehicle for Tom Cruise and little more
Tom Cruise is running out of runway…and he knows it. The man knows how to look cool, ride motorcycles, run like hell and smile for the camera, but that’s not enough to sustain a career in show business anymore. Now…
‘Unlimited Love’ review: Red Hot Chili Peppers work out the kinks with John Frusciante
Reunions are tricky. No matter how much someone prepares to see someone else they haven’t seen for years, it’s always a bit awkward at first. How do you start? What do you talk about? And why did it take so…
‘Morbius’ review: Sony’s new Spidey spin-off sucks the life out of superhero films
The age of comic book movies isn’t ending anytime soon, and it’s easy to see why people are getting sick of it. What was once an exciting time to see our favorite superheroes updated for the big screen has sadly…
‘Death on the Nile’ review: Camp and crime clash in Kenneth Branagh’s new murder mystery
Death on the Nile offers gorgeous visuals and a stacked (if not troubled) cast, making for another flashy Agatha Christie adaptation from the director and star. One thing you have to admire about Sir Kenneth Branagh is his dedication, not…
