Infused with charming energy and bolstered by funny and fresh dialogue, The End of Us approaches its take on COVID storytelling through the lens of a recent breakup. Based on a true story and directed by first time feature filmmakers…
‘Little Oblivions’ review: Julien Baker stuns in her strongest album to date
Singer-songwriter Julien Baker has always been a shockingly honest performer with songs so cathartic and visceral in their rendering that it allows listeners to set their baggage alongside hers as a means of escape. She lays it all so bare,…
‘Wonder Woman 1984’ review: A messy follow-up that fails to live up to the character it’s trying to celebrate
Wonder Woman 1984, the follow-up to Wonder Woman (2017) that was everything its sequel is not, is a befuddling and oftentimes infuriating film to watch for all of its hollow, performative gestures of feminism. It’s somber where it should have…
‘Wolfwalkers’ review: A visually stunning tale
The latest from Song of the Sea and The Secret of Kells director Tomm Moore, along with Ross Stewart sharing directing duties, is a visual feast. Wolfwalkers may not hit at the same level of emotional poignancy as Moore’s previous…
‘Nomadland’ review: Chloé Zhao’s latest stuns by finding humanity in the smallest of moments
Chloé Zhao has an ability to capture the unseen America in a way that sets her apart from any of her contemporaries. There’s no romance in her stories – they are simply facts of life and tell of the natural…
Album review: Worldwide superstars BTS once again raise their own bar on “BE”
In what might be the supergroup’s most cohesive album in years, BTS (comprised of RM, Jin, Suga, J-Hope, Jimin, V and Jungkook) has produced an album that is, for better and worse, uniformly theirs in BE, an album born from…