Album Review: A Boogie wit da Hoodie’s “Artist 2.0” has little new to offer fans.

A Boogie wit da Hoodie festers in a monotonous alternate universe where his “uniqueness” is…

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Album Review: Flora Cash excel at calming electro-pop on “Baby, It’s Okay”

Flora Cash is the soothing Swedish-American duo made famous from the 2017 rock radio hit…

From the Record Crate: Joni Mitchell – “Ladies Of The Canyon” (1970)

What is known to be as one of Joni Mitchell’s most important works, Ladies Of…

Hip Hop Roundup: The Best from March 2-9

Project of the Week: BBY Godard – Euphoria Welcome to the spiritual macrocosm that is…

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Album Review: Stephen Malkmus takes on the unconventional indie-folk with “Traditional Techniques”

It seems like there is no genre Stephen Malkmus can’t conquer. Unlike the Berlin synth-pop…

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Album Review: Body Count disappoint on “Carnivore”

Ice-T’s rap-metal outfit is most famous for 1992’s “Cop Killer”, from their debut album, which…

Carlos Vives Interview
No Te Vayas Interview With Carlos Vives

Arguably the greatest singer to have come from Colombia, megastar Carlos Vives sat down with…